27
[CLASSICS] EGNAZIO, Giovanni Battista (1478-1553). In hoc volumine contintentur ...de cesaribus libri III...Insuper oratio Aristidis de urbe Roma á Scipione Carteromacho latinitate donata. Florence: Giunta, 1519.
Lot of four 16th-century works including an edition of the works of Giovanni Battista Egnazio, Renaissance philologist and editor of numerous editions of classics, a good edition of the works of Horace in folio, and an incomplete copy of the 1513 Stagnino edition of Petrarch's Sonnets and one, severely incomplete, of the Trionfi.
8vo, (160 x 100mm). Printer's device to colophon, (earlier marginal repairs to 8 leaves at the start, with the loss of a few letters, a few sporadic stains). Contemporary full vellum binding with manuscript title to spine and edges (some light wear, lacking ties) [IN LOT WITH:] ORATIUS (65-27 BC). Omnia poemata cum ragione carminum. Venice: Bonelli, 1567. Folio (307 x 214mm) Printer's device to title page, a few woodcut vignettes in the text, woodcut initials (light spotting and occasional dampstaining). Contemporary vellum with manuscript title on spine and plate (some wear, partially disbound, 19th-century endpapers). Provenance: Sala Vittorio (19th-century ownership inscription to boards) [WITH:] PETRARCA, Francesco. Li Sonetti canzone e triumphi del Petrarcha. Venice: Bernardino Stagnino, 1513. 4to (200 x 150mm). Two large woodcut illustrations in the text (2Z8 containing the colophon is lacking, foxing, some spotting, inkstain at the edge of the upper margin of the leaves). 18th century full vellum binding with gilt title to spine, red edges (defects, some wear) [WITH:] PETRARCA, Francesco. Triomphi. Venice: Da Sabrio 1525. 8vo, (198 x 146mm). Severely incomplete. Contemporary full vellum binding with title-piece to spine, red edges. (4
8vo, (160 x 100mm). Printer's device to colophon, (earlier marginal repairs to 8 leaves at the start, with the loss of a few letters, a few sporadic stains). Contemporary full vellum binding with manuscript title to spine and edges (some light wear, lacking ties) [IN LOT WITH:] ORATIUS (65-27 BC). Omnia poemata cum ragione carminum. Venice: Bonelli, 1567. Folio (307 x 214mm) Printer's device to title page, a few woodcut vignettes in the text, woodcut initials (light spotting and occasional dampstaining). Contemporary vellum with manuscript title on spine and plate (some wear, partially disbound, 19th-century endpapers). Provenance: Sala Vittorio (19th-century ownership inscription to boards) [WITH:] PETRARCA, Francesco. Li Sonetti canzone e triumphi del Petrarcha. Venice: Bernardino Stagnino, 1513. 4to (200 x 150mm). Two large woodcut illustrations in the text (2Z8 containing the colophon is lacking, foxing, some spotting, inkstain at the edge of the upper margin of the leaves). 18th century full vellum binding with gilt title to spine, red edges (defects, some wear) [WITH:] PETRARCA, Francesco. Triomphi. Venice: Da Sabrio 1525. 8vo, (198 x 146mm). Severely incomplete. Contemporary full vellum binding with title-piece to spine, red edges. (4
ESTIMATE € 100 - 200
LOTS
2
[ALMANACS - PARIS]. Le petit theatre de l'univers. Paris: Langlois, 1804; 1809.
[ALMANACS - PARIS]. Le petit theatre de l'univers. Paris: Langlois, 1804; 1809.
ESTIMATE € 200 - 300
7
[ALMANACS]. Almanacco toscano per l'anno 1858. Florence: Stamperia Granducale, 1858.
[ALMANACS]. Almanacco toscano per l'anno 1858. Florence: Stamperia Granducale, 1858.
ESTIMATE € 100 - 200