The people of Bologna, those who live in this city, must perceive the Pinacoteca as a place that belongs to them, not only because it is a public institution, but also because it preserves a collection closely linked to the territory, which tells its story through artistic documents of the highest quality from the 14th to the 19th century.
Our aim is to offer the national museum system as a whole…
Our aim is to offer the national museum system as a whole…
Our aim is to offer the national museum system as a whole…
Our aim is to offer the national museum system as a whole new professionals, and at the same time to intuit what will be the professions of tomorrow, in the knowledge that different disciplines need to be networked. (…) The School wants to be the bearer of cultural values that go in this direction, that is, to dialogue, to connect, to relate what we considered distant until a few years ago. A mission that I believe is important.
The Accademia Carrara’s holdings consist of 98% private bequests. Since its foundation,…
The Accademia Carrara’s holdings consist of 98% private bequests. Since its foundation,…
The Accademia Carrara’s holdings consist of 98% private bequests. Since its foundation,…
The Accademia Carrara’s holdings consist of 98% private bequests. Since its foundation, there have been more than 260 donors, with an admirable adherence to Giacomo Carrara’s project that has continued for more than two hundred years, and that has led to the identification of the Carrara with the “museum of collecting”.
Right from the opening credits The Good, the Bad, the Ugly declares its intentions to ‘historicise’ narrative content in a different way. Not only is there a cannon among the weapons that carve and then dissolve the director’s name (…)