Our public has its roots in the 20th century; a public of devotees that we sympathetically call ‘la sabaudaji’. It is a sort of museum of ‘aristocratic innocence’ of the highest level, rich in memories, romantic, because it has stopped in time a certain taste that today is difficult to recount and replicate. A Piedmontese figurative civilisation that no longer exists.
https://wannenesgroup.com/magazine/en/accorsi-ometto-museum-of-aristocratic-innocence/