by Tommaso Teardo
Giuseppe Valadier (Rome 1765 – 1839), one of the most important architects, goldsmiths and silversmiths between the neoclassical arcadia and late Romanticism, was the son of Louis, one of the most important figures of 18th century decorative art in the Eternal City. His works compared to those of his father – where rococo exuberance and neoclassical rigour coexisted – were famous in the courts of Europe for their preciousness and extravagance, both in materials and design. They evoked the majestic and sensual classicism of imperial Rome so loved by the cultured travellers on the Grand Tour. They are characterised by an Olympic neoclassical measure. This, however, hides a daring inspiration reminiscent of the lively paternal fantasy, as for example in the partially gilded silver inkwell composed of three overlapping elements, ending with an Egyptian-style obelisk, freely inspired by the one that currently embellishes the Piazza del Quirinale. The cylindrical section base forms a small container on which a cylinder is grafted. It is enriched with laurel wreaths and gives shape to the inkwell on which the obelisk-shaped bell rests. Its square section ends with an acorn-shaped grip and rests on four spherical feet joined to the base and decorated with lance-shaped leaves. The surface of the obelisk is engraved with birds, leaves and initials in the Egyptian style.